Ballet Philippines takes a giant leap this February with a lavish and
opulent production of the famous ballet classic, Don Quixote, at the
Cultural Center of the Philippines (CCP). Derived from an episode of the
novel by Spanish author Miguel de Cervantes, this adaptation follows an
aging gentleman who had deluded himself to be a knight-errant rescuing
damsels in distress, and the adventures of young lovers Kitri and
Basilio. The story culminates with the most popular dance duet in ballet
history, the couple's grand pas de deux.
The grand production
brings together the world's premiere and award-winning artists led by
Houston Ballet's principal dancer, Connor Walsh, who will be performing
alongside the Company's lead dancers on a limited engagement as Basilio.
Walsh was educated in some of the most renowned schools in America,
including the Kirov Academy of Ballet, Harid Conservatory, and Houston
Ballet's Ben Stevenson Academy. During his time in the latter, he has
received the prestigious Rudolf Nureyev Foundation Scholarship and the
Ben Stevenson Scholarship awards. In 2004, he received the first annual
gold award from the National Foundation for Advancement in the Arts and
the Award of Encouragement at the Shanghai International Ballet
Competition. Walsh will grace the stage in gala performances on February
17 and 18.
Setting the stage afire as the spirited Kitri is
Ballet Philippines' own gem, Candice Adea, silver medalist in the 2010
International Ballet Competition.
Alternating with Walsh is 2010
International Ballet Competition semi-finalist and Ballet Philippines
principal dancer Jean Marc Cordero. Katherine Trofeo and Carissa Adea
alternate as Kitri.
Ai-Gul Gasina from the Australian Ballet will
coach the Company dancers in the reinterpretation of the epic
masterpiece. Trained at the Vaganova Choreographic Institute in
Leningrad, Gasina has danced, among others, the roles of Ronald Petit's
Carmen, Aurora in Sleeping Beauty, Kitri in Nureyev's Don Quixote,
Michelle in Gillian Lynne's Fool on the Hill, and Valencianne in
Helpmann's Merry Widow. She has, by invitation, taught at The Royal
Danish Ballet, the Houston Ballet, and the Hong Kong Ballet.
The
Philippine Philharmonic Orchestra, under the baton of conductor Maestro
Olivier Ochanine, will bring the musical score of Leon Minkus to life.
The production is a restaging by Ballet Philippines choreographer,
Noordin Jumalon, using the versions of Marius Petipa and William Morgan.
Schedule of performances at the CCP Main Theater (Tanghalang Nicanor Abelardo) follows:
February 17, 8:00 p.m.
February 18, 3:00 p.m. and 8:00 p.m.
February 19, 3:00 p.m. and 8:00 p.m.
February 20, 10:00 a.m. and 3:00 p.m.
February 17, 8:00 p.m.
February 18, 3:00 p.m. and 8:00 p.m.
February 19, 3:00 p.m. and 8:00 p.m.
February 20, 10:00 a.m. and 3:00 p.m.
Ticket Information
Ticket prices on February 17 and 18 gala performances are from PHP 1,000 to PHP 5,000.
Regular prices for matinees are from PHP 200 to PHP 800 and evening shows from PHP 400 to PHP 2,000.
Tickets
may be purchased through the CCP Box Office (632-832-3704) and TicketWorld
(632-891-9999). For group sales and inquiries, contact Ballet Philippines
(632-551-1003 / 632-832-6011) or visit: www.balletphilippines.org
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